Reflecting upon the Past, Present, and Future of Asian American Identity at the Huntington

Below is a longer, less edited version of my article for Hey SoCal, published April 25, 2023.

Does the term “Asian American” do more to include or exclude the many cultures that fall under it? 

How valuable is the increased Asian American inclusion in media to everyday Asians—is that representation meaningful enough? 

What does it mean to be American? Who has the right to wear that title and to share fully in the promise it implies?

These are the questions that Simon Li prefaced the Huntington’s Asian American Experiences in California symposium with on March 4, 2023. I was only able to attend the first and last panels, missing out on the “present,” so the anecdotes I highlight below are only from those panels. However, you can watch all three panels on the Huntington’s website here.

“East and West Shaking Hands” | Photo by Brianna Chu

During the “past” panel, each speaker reoriented—every pun intended—the current framing of Asian American history. In examining the history of Chinese-Americans and their role in building the railroads across America, Professor Gordon Chang featured a photo entitled “East and West Shaking Hands.” At first glance, it’s nearly impossible to see any Chinese individuals in the photo at all; the lone Chinese worker, in tattered worker’s garb, was captured with his back facing the camera. Most importantly, he was captured mid-movement, blurry and literally out of focus: the perfect metaphor for the lack of focus on the role of Chinese workers in this grueling feat of transportation they were instrumental in completing. Writer Jean Chen Ho examined the flawed, skewed history of the 1871 LA Chinatown massacre. The most prominently known story of the event submits that a duel between two Chinese men from rival tongs caught a white rancher in their crossfire. This death spurred a predominantly white “vigilance”—or should we say, vigilante—party to consequently murder dozens of mostly uninvolved Chinese people in the process of purportedly attempting to save them, additionally destroying and robbing Chinese businesses in the process. Writer Naomi Hirahara walked us through the Japanese businesses and community members of Pasadena pre-World War Two, and asked us to imagine with her what the town would have looked like had Japanese internment not happened—if the Japanese businesses and communities built there had the chance to continue. And amongst the many pieces Art History Assistant Professor Marci Kwon presented, a personal standout was a piece inspired by the “I am an American” sign that a Japanese grocery in Oakland erected on their storefront following the attack on Pearl Harbor, hoping to forestall the violence to Japanese-Americans that was to come. Contemporary Filipina artist Stephanie Syjuco took that historical image and reframed the statement as a fabric banner, in which she compacts the letters comprising “American,” asking viewers to contemplate what being an “American” means to them.

Stephanie Syjuco’s installation

Each speaker highlighted an incomplete, overlooked, or undervalued narrative of Asian life in America—delving into the history we have, the Eurocentric perspective from which it was written, and how we might fill in the gaps of our own history. In answer to my question about why we should look to the past and what value we can take from re-evaluating it, Professor Chang eloquently stated that this work helps to reframe American history, properly acknowledging our centrality in the story of the creation of what is currently referred to as “America.”

Jimenez Lai’s whisper-distorting installation. | Photo by Brianna Chu

In the “Future” panel, each speaker presented a provocation to the audience regarding how we might envision the future of Asians in America. Stop AAPI Hate co-founder Manjusha Kulkarni made the provocation that our fear and anger as a collective group of many different Asians in America drives us towards increased civic engagement, and hopefully in turn, improving outcomes, legislation, and representations of Asians in politics. Lawyer Karin Wang asked us to acknowledge the privileges the Asian American community has and consider how we might use that power to uplift others, especially other communities of color. Artist Jimenez Lai shared and described an installation he had created, in which visitors could whisper their fears, and hear them return as a distorted version of that sound. This piece stood out to me as a reminder to acknowledge our fears for the dissonance and distortions of the truth that they are, and to take the space to reimagine our world in ways that don’t currently exist. Writer Jeff Chang brought us home by prompting us to consider the future Asian American community we envision—one that is only brought together by collective experienced oppression? Or one brought together by shared values? And to create a collective community of joy and care, what values are we rallying around? How do we build this community of the future, one that endures?

Jeff Chang muses on our future communities. | Photo by Brianna Chu

For my part, the answer to Li’s first two questions is clear. Yes, the term Asian American continues to hold merit. Li acknowledged in his own remarks that others outside our Asian community will not bother to harbor distinctions between Chinese-Americans or Japanese-Americans, as in the case of Vincent Chin. Instead, we have, are, and will likely continue to be ‘categorized’ by our overarching heritage: Asian. Thus, we do share common experiences here in America even as we uphold and celebrate our many distinct cultural traditions. However, we can incorporate both the collectivism of our heritages and the individualism touted by America: as Asians in America, we can uplift and still celebrate our individual, unique heritages, under a broader, joyful community of Asian American. More diverse and widespread Asian American representation, in every space and circumstance, matters. Hearing from voices and experiences from across the wide diversity of Asians in America matters tremendously: we cannot know the experiences of others, nor help them, if they are not present for us to listen to. 

The “Future” panelists. | Photo by Brianna Chu

On that note, a personal opinion and observation I might levy upon the symposium was that the speakers seemed pleased with the diversity of the concluding panel, but overall, I noticed that East Asian speakers dominated the symposium. It is increasingly acknowledged that East Asian voices are often most prominent in discussions around Asian-ness, for lack of a better term. South and Southeast Asian voices are less often heard—and indeed, in this symposium, the only South Asian representative was Kulkarni, and the main Southeast Asian speaker was Linda Trinh Vo during the “Present” panel. Filipinos are also a notable Asian majority in California—for instance, Filipinos are one of the first Asians, if not the first, to step foot in California, brought as slaves on Spanish galleons in 1587—and the symposium did not include any Filipino speakers. I understand that every event has its limitations, but I offer this as food for thought for any future symposiums, which I sincerely hope the Huntington will consider organizing. 

I’ve vacillated tremendously between feeling “American” and not. Most of my life, this identity has been dictated by those around me, not myself. Even growing up in Pasadena, I’ve often felt that I didn’t fully fit whatever the perception of dominant American culture was at the time. My parents are immigrants from two different countries, bringing their own traditions here, choosing what to keep and remixing “American” traditions with whatever felt right to them. We often didn’t know what the norm for everyone else was; I would speak with classmates about how I spent holidays or what traditions my family followed to mild surprise or quizzical looks. I’ve seen firsthand what stereotypes people have imposed on my parents—the mildest of which is assuming they don’t speak English. Up until the age of maybe 18, if you had asked me, I probably wouldn’t have identified as American. And when I left the US to study in Scotland, the label “American” was applied to me by others, due to the accent and prevalence of Americans attending university at St Andrews.

It’s only since I’ve returned that I’ve felt that I could define and choose what being “American” really means to me. 

And I think I’ve come to a similar conclusion as many others in my generation: that no one can truly define whether another person is “American” or not, since, excepting Indigenous folks, all of us are immigrants to this country in one generation or another. What is “American,” except the multifaceted evolution of many cultures meeting?

Image from Josie Huang / LAist

However, while representation does matter, the type of representation, as well as the action to accompany it, matters more. While the definition of American depends on each individual, to choose to identify with that identity and create meaning for oneself, it seems that there is agreement regarding the responsibility that comes with that identity. During her presentation, Kulkarni quoted iconic Chinese-American author and activist Grace Lee Boggs: “I’ve come to believe that you cannot change any society unless you take responsibility for it, unless you see yourself as belonging to it and responsible for changing it” (2009). And my mother, with whom I attended the symposium, echoed the same thought in her own reflections:

“But being American comes with responsibility. We have to give back to the country we now call home by engaging with our community and actively seeking out how we can contribute to society. In areas where we have influence, we have to advocate for all people of color and use our voices to speak for those who can’t. At the very least, sharing our stories might help others understand that while we don’t look like them, we have similar hopes and dreams, and are striving for the same happy outcomes.”

And I wholeheartedly agree with those sentiments. Our world was not created in a vacuum: countless individual decisions and actions, over thousands of years by civilizations and societies both recorded and forgotten, have accumulated to fashion our current society. We, as a collective humanity, have shaped the world as we know it today. Thus, my personal answer to Chang’s question, of how to build a community that endures, is simple: by living and acting upon the change we envision. For me, that means listening and making space for others to tell their stories, and sharing my own experiences and stories with others—continuing to contribute unique patches to the overarching quilt of stories of our Asian American community. There has been, and continues to be, discord and othering in and amongst our own diverse Asian communities, which frankly is a common occurrence in any group of people. But especially in the past few years, I have reflected that the “both…and” mentality is the one I want to take in life: Acknowledging that more than one perspective is valid and true and meaningful. Making room for the experiences of others. Respecting the experiences of others. Asking others to do the same for us and our own lived experiences. And ultimately, working to create communities of respect, care, inclusion, and hope.

I highly encourage anyone interested to watch the videos of each set of panels—many thanks to the team at the Huntington for assembling this symposium.

“Where are you from?”

A mild rant.

“Pasadena, California” never really seems to cut it for this one. But when they step it back from “Where are you from?” to “Where are your parents from?”, that’s where they get me.

And honestly, it’s only a fluke that my parents are actually immigrants. Filipinos were some of the first Asians in the United States. Filipinos were even put in human zoos in the early 1900’s. The Chinese were here since the early 1800’s, building the railroads. Asians have been the US for a while, so it’s absolutely plausible that my family—read: any Asian family—could have lived here for generations.

The question “Where are you from?” really means: “What race/ethnicity are you?”, with undertones of “You don’t belong here because you’re not ‘from’ here.”

But yes, I do happen to be the child of immigrants, from East and Southeast Asian countries. There is a history of Chinese diaspora on my father’s side, as both his parents’ families fled China in the wake of the civil war and Mao’s rise to power. My grandmother’s father was a Chinese scholar who stayed behind while the rest of his family fled, trying to prevent the burning of books and preserve the ancient knowledge—that he had studied for many years of his life—held within them. My grandfather (爺爺) was a Taiwanese admiral who performed deep-sea rescue missions and still knew how to navigate by the stars; but I never got to hear his stories as my Chinese skills were always too poor.

My mother immigrated to the States in her early twenties with one of her sisters and my maternal grandfather (Lolo). Lolo was a clerk for the US Embassy in Manila; the lines of colonization run deep in the Philippines. What were we called before the Spanish came along? Indigenous traditions like tattooing are now considered taboo by most Filipino parents, who have been deeply indoctrinated in Catholicism for centuries. Tagalog, one of the many hundreds of languages spoken in the Philippines but the most widely known or recognized, in itself mirrors the colonized history of the country, as the Indigenous language is interspersed with Spanish and English terms. The way to say sorry in Tagalog? “Sorry po.” Someone asks you how you are and you want to say you’re kinda meh? “Okay lang.”

My primary language is and always has been English, despite the decade of Chinese school on Saturdays that I was absolutely terrible at. The language that my parents share is English, so that was what was always spoken at home. It was an odd way to grow up, not really feeling “American” and being othered at school while also realizing your parents also felt othered in their own ways—my dad will never consider anything but the Taiwan of his childhood as his home, while my mom strongly feels connected to Pasadena because she made it her home, yet she isn’t always treated as if she belongs here as much as others might be.

While I didn’t have the ‘typical’ American upbringing, the stereotype of what American means is shifting as the US becomes increasingly brown.

Source: https://www.instagram.com/p/CSj5KkpnNfY/

Representation of all types of childhoods across this large country is increasing, reaffirming the concept that the US is a country of immigrants, a place anyone can be from.

So yeah, I’m from here.

If you’re interested in some further thoughts, I wrote about my mixed cultural identity in this guest piece for Overachiever Magazine in October 2020.

Hello there!

You might have already checked the About page, so this isn’t going to be an intro to me so much as it is the obligatory “why I made my own personal website” post.

I certainly didn’t expect to make my own website; the last time I made a WordPress blog was for English in the 10th grade (shoutout to Ms. Holmgren!) that I eventually transitioned into a book review blog that literally no one asked for and that I no longer remember the login for. Good times. Who knows, maybe I’ll go back to writing book reviews now that I have a proper stack of books to read again.

Making a personal website feels a little cheesy and maybe a little bit try-hard to me, since I’m not a photographer or visual artist, but I created this website as a portfolio of past work. I enjoy taking on a variety different jobs and responsibilities, and I put in a lot of time, energy, effort, and love into pretty much everything I do. So this blog also serves a place to showcase the work I’m especially proud of—whether that’s fun graphics I’ve made over the years, details of events I’ve put on (in one interview, I asked whether or not planning my wedding in about 3 months counted as good event planning, and the interviewer said yes, so add that to the list I guess?), but mostly pieces I’ve written. I’m going to add pieces that I’ve written for uni, original drafts of articles for local newspapers like Beacon Media News/Hey Socal before I had to cut them (I just wrote one now that I am realizing no one will want to read because I made it way too dense and I don’t really have to write in “academic tone” anymore but I kinda just wanted to), and maybe even some personal pieces, like poetry from high school. Maybe I’ll upload some videos. But that probably won’t be here in the blog section.

And yeah, I really like to run on and on. But that’s why this is a blog, and just an intro at that.

To be perfectly frank, I’m not expecting anyone to read any of this. This blog is probably going to just end up being a lil corner of the Internet where I can put some stuff I’m proud of and quietly smile about. The pages that are basically more involved résumé pages are the only pages I’m expecting anyone will look at, so I appreciate you if you made it all the way here!

If I do make any posts that are just personal, the topics I probably am most likely to write about (not talk about) would be: books, culture/identity, education, entertainment (i.e. film/theatre/television), food, mental health, and travel. These are not the only things I care about, just the ones I’d write about. Some posts might be more formal and structured, and some might end up just being rants in written form. There’s a whole spectrum of possibilities.

Anyway, thanks for joining this anxious lil nerd. I hope that somewhere in here you’ll find something that’ll make you smile. 🙂

All the best,
Brianna